A temple amid the enchanting paddy fields

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A glimpse of the temple, which means Banyunibo-drip water fall (in Javanese) is a Buddhist temple is located not far from the Temple of Queen Boko, namely in the eastern part of the city of Yogyakarta to the city Wonosari.dengan Village Cepit Bokoharjo address Prambanan Sleman Yogyakarta. This temple was built around the 9th century at the time of the Ancient Mataram Kingdom. At the top of this temple there is a stupa which is characteristic of Buddhism.

State of the temple is seen Banyunibo still quite solid and complete with a carved relief of kala-makara and other forms of relief that still seems very clear and attractive. The temple has a central part of the room was first discovered and corrected back to the 1940s, and now in the middle of rice fields with very beautiful scenery ..

Candi Barong beauty image to attract visitors from abroad

Posted by aplikasi | Posted in | Posted on 07.10


Candi Barong History uncovered

Posted by aplikasi | Posted in | Posted on 06.55

Candi Barong history who have time and dragon ornaments like barong at the entrance is a Hindu temple located in the east not far from Queen Boko Temple, which is in the hamlet of Candisari, Bokoharjo village, Prambanan, Yogyakarta. This temple was built in about the seventh century to the 9th and 10th at the time of the Ancient Mataram Kingdom.

Barong temple complex is located on the hills to the ground with some 3 berundak temple on every porch. On the highest terrace there are 2 temples to worship gods and goddesses Sri Vishnu as the symbol of fertility. Each temple has a size of approximately 8 meters x 8 meters by 9 meters high.

Came, saw and admired the beauty of Candi Barong

Posted by aplikasi | Posted in | Posted on 06.49

Candi Barong is composed of 3 level.Yaitu first level is the foundation of the temple of flat land. The second level of the court who allegedly once stood a building that uses wood elements other than the rock element. While this third level is the level of the most sacred, where there are 2 main temple and a gate.
To get there, we have to go through 3 steps that are in the west. Temple complex located on the foundation stones that form the shape talud second pelataran.Pelataran measuring approximately 12 x 8 meters. In the court found the stone ruins of buildings remaining. Identified in this yard was once a supporter of the temple complex of buildings.
Of patches and remnants of stone, thought to be a kind of residential buildings or pendopo.Candi Barong is at the third level. Before entering the temple complex, there is a gate adorned with Kala-Makara motive to cross. Identified around this temple there is a fence but the fence has collapsed and left only a little on the side of the north gate.
There are 2 main temple of the position "less symmetric" because this temple to the south tend to be indented. The second glimpse of this temple appears the same, but there are some differences that we can find. The first temple located on the north (in front of the entrance gate) are slightly smaller. Motif carvings and statues are there in this temple was a bit different.
This temple does not have the room. There are only 4 niches Kala-Makara decorated on all four sides. Statue in the temple there is any barong was lost or perhaps already secured taau bisamungkin had been stolen and traded. According to the reference I read, the temple was found a statue of the goddess Dewi Sri, fertility, the wife of the god Vishnu. Also found was also decorated with wings oysters (Sankha) which is a symbol of the god Vishnu.
The first temple, which was directly in front of the temple gate is a temple in honor of the god Vishnu, while the temple next to a goddess temple in honor Sri.Dari these characteristics, can be identified that Candi Barong is a Hindu temple. From the form of the building, this temple is expected to be built in the 9th century.
Dewi Sri discovered statue was a sign that the temple was suspected to be the temple worship of Goddess Sri to beg fertility. Moreover, the location of this temple is above the hill which is relatively less fertile land. The temple building itself in the form of floor, body, and the roof of the temple. Foot of the temple compound in the form of a square base level. We can find diamonds and engraved vine motif in this section. Between the legs and body separated by a corridor decorated with triangles.
Body temple is Kala-Makara niche decorated with vines on the wall. At the bottom of the niche, we find the decoration dwarf creature named Ghana pot.Badan flanked by carvings and roof ornament of the temple separated triangles, as in the separator body and the foot of the temple. The roof consists of 3 levels of gem diamond shape.
The condition of the temple buildings are still very good and intact. Motif carvings and reliefs can still be seen clearly. Only statues that should fill the recesses of the temple we can ndak temukan.Bentuk entire temple complex is also interesting, because there are parts that are not symmetrical but on the other side there is a very symmetrical. Well, confused is not it? Not far from the complex Candi Barong, in the north we find the ruins of stone. When we went there, we ndak find any clues about the rubble stone. This possibility is the remains of stone temples Barong compilers that can not be arranged temple complex kembali.Selain appeal, that they are located on the hill giving mantab and pleasant scenery

Ratu Boko Temple is beautiful and full of mystery

Posted by aplikasi | Posted in | Posted on 05.14

Architecture Spatial and Ratu Boko

Ratu Boko probably built around the 9th century AD by the Dynasty Sailendra, who later took over the Hindu Mataram. As a monument to the ancient relic, the Queen Boko still keep the mystery. Attributes contained here is referring to a village area. But still, the experts are still difficult to identify, whether it is a royal parks, palaces, fort, or temple.

Ratu Boko has 3 fruit terrace, each of which are separated by stone walls and fortresses. To reach the first terrace, we had to pass a big gate which was built in 2 stages. To the west of this terrace there is a fort or Lime Stone Temple (Temple of Limestone). Lime Stone Temple called because it was made of limestone. The distance is approximately 45 m from the first gate.Second and first terraces separated by a wall andelit. This second terrace can be reached after passing through the gate at paduraksa consisting of 3 door. Larger doors (Main Gate) is in the middle, flanked by two smaller gates.The second and third terrace of the castle separated by walls of limestone and andelit. To enter into the third deck, we need to go through the gate 5, where the most central gate larger in size when compared with other 4 flanking the gate.

On the third terrace (terrace greatest) is centered remnants. Here we can find among others Pendopo (Meeting Room). The foundation of this marquee measuring 20 m long, 20 m wide and 1.25 m high, located to the north of this terrace

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The origin of the temple's name queen boko

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From source inscription issued by Rakai Panangkaran year from 746 to 784 AD, the area called Site Abhayagiri Queen Boko temple. Abhaya means no danger, giri means hill or mountain. Monasteries means dormitory or place. Thus the temple Abhayagiri means dormitory or place of Buddhist monks is situated on a hill full of peace.
In the next period Abhayagiri renamed temple palace which was proclaimed by Walailang vassal king named Rakai Walailang Pu Kumbayoni.Tahun 1790 Van Boeckholtz find any archeological ruins on a hill Ratu Boko.
One hundred years later, FDK Bosch conduct research and report the results of research titled Van Ratoe Boko Palace, the archeological above Ratu Boko hill known as the Kraton Ratu Boko.
Ratu Boko Palace name came from the palace and Ratu Boko. Kraton derived from the word Ka - da - tons, which means the king's palace, Ratu Boko from the Queen which means King and Boko means Stork. This notion raises the question, who called the king's stork, whether the name of a ruler or a real heron often perched in the hills Ratu Boko. As it is known that in the north, west and south of the Ratu Boko hill canyon lands and vast fertile land for agriculture, while at the Ratu Boko hill itself are the pools of water from the tank As with large to small.

Know the oldest Buddhist temple in Yogyakarta. Temple Kalasan

Posted by aplikasi | Posted in | Posted on 15.23


A little history about Kalasan temple also called by the name of Tara Temple is a shrine dedicated to Goddess Tara and monasteries for the priests. Kalasan temple is also built as a tribute to the marriage Pancapana of Sanjaya dynasty with Dyah Pramudya Wardhani Sailendra dynasty. Kalasan temple was completed in the year up to 778M, which is the oldest Buddhist Temple in Yogyakarta.
Kalasan temple or the temple is located in Kalibening Tara, Village Tirtomartani, Kalasan District, Sleman regency. is located approximately 2km to the west of Prambanan exactly 10 meters south of the highway that connects Yogyakarta - Solo, from Yogyakarta about 15 miles east, so this Kalasan temple have access, facilities and infrastructure are adequate.
Kalasan or Temple Tara Temple built on the orders of Panangkaran Rakai, as in ancient inscriptions found not far from the temple. Inscription is made in Saka 700 or AD 778 by Pranagari and Sanskrit characters that explain that the establishment of the proposed temple originated from the Master of the King who then succeeded in persuading King Tejahpurna Parapkarana (Kariyana Panangkara), mustika Family Syailendra (Syailendra Wangsatikala), which also can be interpreted that have been built by two kings together the kings of the dynasty and the king of Syailendra Hindu Mataram unknown at the time of Sailendra dynasty, to build a shrine to honor the god of Tara "Bodhisattva" Women of Tara and a monastery for the priests. Then the king presented to the village monasteries Kalasan year 778 AD and is considered as the year of manufacture Klasan Temple. Monastery mentioned in this inscription is estimated Sari Temple, located about 300 meters north of Kalasan temple.
Temple Sari Temple Kalasan and famous as a beautiful temple and a very fine decorative stone sculptures. There are features of the Temple and the Temple Sari Kalasan that are not found in other temples, namely the coating ornaments and reliefs on the outer wall, known as "Vajralepa" a yellow substance made from the sap of some plants to function as an adhesive and protective against damage and maintain and beautify carved wall reliefs. From Vajralepa said, until now the people of Java when building his house and used to coat the walls with a term called "Ng-plaster" or "Nglepo".
Commemoration of the Temple or the Temple Tara Kalasan
Buildings Temple Tara Temple Kalasan or have high 34 yards long and 45 meters wide. Consists of three parts, namely the bottom or foot of the temple, the body of the temple and the roof of the temple. The bottom of the foot of the temple is a temple which stood on a stone base of a square with a size of 45 meters and a width of stone. Temple Kalasan has stupas with about 4.6 meters high, amounting to 52 fruit around it.
Body temple square with some appearance of bulging out amid his side. In the southeast there is a booth that can be entered through the east side of the booth viewer. Inside the rooms, there is a throne decorated with a pattern backed lion standing on the back of an elephant. On the outside of the body temple is decorated with niches of the god figure in standing position by holding a lotus flower.
Rakai Panangkaran drafter also make temple Borobudur Temple Kalasan or Tara is so beautiful. At each entrance of the north and south are the decorations "time", this may also be the origin of the name "Kalasan". There's comb decoration Dibagian buds, leaves, and tendrils. The top of the decorated tree and the painting gods and their occupants Khayangan clouds playing sounds such as drum carrier, rebab, shellfish, and camara.
The roof of the temple is regarded as a cube that semeru peaks, around the cube there are several stupas. Boundary between the roof and the body is the temple flowers being physically stunted heaven is called "Gana". The roof of this temple Kalasan octagonal and consists of two levels. On each side of the first level there is a statue depicting the Buddha and Buddhist people in the two described Yani Buddha. Kalasan temple was precisely the one that inspired the sacred buildings Atisha, is a Buddhist from India who had visited Kalasan and Buddhist Borobudur and spread to Tibet.

Posted by aplikasi | Posted in | Posted on 06.21



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Borobudur temple architecture is very interesting

Posted by aplikasi | Posted in | Posted on 05.55

Borobudur temple architecture is very interesting, consisting of three main parts of legs, body and head of the temple. In borobudur walls carved reliefs. Relief is a series of stories that depicted in one frame (panel) for one scene. There are thousands of frames in this temple plus hundreds of Buddhist sculptures found in the stupas and niches available on the temple walls.
A unique thing, that this temple was architecturally interesting format or structured mathematically. each bagain leg, body and head candi always have a ratio of 4:6:9. Placement-placement stupanya also have its own meaning, plus the estimated relief of the astronomical berkatian borobudur makes it an interesting historical evidence for the observed. One of the results of this study can be read on the site, "In Pursuit of Sacred Science: Architectural Survey of the Rectangular Terrace Levels" by Mark Long

Early restoration of Borobudur temple

Posted by aplikasi | Posted in | Posted on 05.43

Period of 'darkness' Borobudur Temple.
Borobudur temple where civilization swallowed. No trace of history that can
reference about the existence, functions and activities of Borobudur temple
at that time.
Tahun1814.
Found buried in a bush
thicket by Cornelis HC. At that time ruled by the English Java
by Sir Thomas Stamford Raffles as the Governor-General. When
a visit to Semarang, Raffles received the news that dikedu
there are temples that have not been explored.
Year 1817
For the first time the existence of Borobudur Temple.
revealed to the European public through the book The History of Java articles
Raffles. Although only mentioned briefly and no exposure to
Raffles has at least enough to throw a discourse about the existence
Buddhist temple in Central Java.
Year 1831
WOJ Niewenkamp, Dutch artist Yang
known to be very obsessed with a culture of the archipelago, making some
sketches of Borobudur. One of the famous and cause
controversy until now was a sketch about the existence of the lake
around the ancient Borobudur temple.
Year 1835
Tahun'kemunculan back 'Borobudur temple
surface of the earth. Hard work by Dutch officials, Hartmann.
His interest led to remarkable personal initiative to
Cornelius continue working with shrubs menyingakirkan
cover the surface of the Borobudur temple and do the cleaning in the temple.
Year 1842
When entering the Borobudur temple dome Hartmann
find hundreds of Buddhist stupas and relief, but no record
details about the process and results of the most spectacular discoveries of this.
Previously no one knew that in a large dome saved a lot of Borobudur stupa.

Year 1873
Monograph Candi Borobudur to
first published in Dutch language and translated into
in French a year later. Contains hundreds of sketches and
Borobudur temple image and its contents. Created on the initiative of the Dutch government
sedikitnay involving 3 experts: Leeman, Wilsen and
Brumund. Since this was published monographs, public access
area (particularly Europe) to information becomes open Borobudur
wide. And began to take place in the 'map of world history' and
attract the attention of experts to study more about Candi Borobudur.
Year 1907-1911
The first restoration carried out under
Theodore Van Erp led by the Dutch government funds. Selam
he restoration photo documentation of the temple before it,
during and after restoration and perform data collection and inventory
the number of stupas and relief. But the most prominent is
Van Erp reconstruct the success of Borobudur temple as a whole to become
shape we see today.